Categories
Concert Reviews

CONCERT REVIEW: Steve Martin and Martin Short jab, pluck, and screech during almost-annual comedy routine at Ruth Eckerd Hall

“If you get offended by anything, please just send an email to my team. toughshitnorefunds@gmail.com!” Comedy legend Steve Martin opened yet another sold-out show with mediocre comedian (to him, anyway) Martin Short with.

Were there offensive elements? Sure. But was the show itself a riotous, comedic mess in its own ideal way? Without a doubt.

The superduo released a special on Netflix a year or two ago, entitled An Evening You Will Forget For The Rest Of Your Life. And though this string of dates, properly titled The Funniest Show In Town At The Moment, takes place two years later, there wasn’t really much in the way of material unseen in the special. There was a smidge more commentary during some portions though, which probably explains why the evening was about 45 minutes longer than the Netflix special.

Once a montage of the headlining duo’s best moments in film went black, the original Wild And Crazy Guy came out around 8:15. Almost immediately after his warnings about there being no intermission, and how he doesn’t care if you get offended, he introduced his “lesser-known” sidekick.

“Just because I said thank you doesn’t mean you have to stop applauding!” Marty jabbed almost immediately. A few insults and anti-compliments later, the two burst into song, with Jimmy Kimmel Live! pianist Jeff Babko, admitting that they have over-inflated egos, but were about to kick some serious comedy ass.

First and foremost, some childhood images of the comics were displayed on a big screen that normally magnified the two. “That was the year I was voted ‘Most Likely To Marry A Cousin!’” Marty admitted upon seeing his high school senior photo. “GET THAT OFF THE SCREEN!” Steve hollered, upon coming face-to-face with a picture of the two making out at an AFI event.

Most of the night consisted of roasting each other on how chubby or old they once looked for their age, or how painfully lame and unentertaining each other’s work was. But after teaching three guys from the audience The Three Amigos salute, a sliver of civility finally came out when the two sat in their living room-style chairs, and just reminisced for about twenty-five minutes. They were mainly short anecdotes about their extensive careers, from when Marty actually met Katharine Hepburn, to when Steve told about a time him and Marty went to St. Barts for Christmas, and The National Enquirer shot a rather unflattering photo of the two in the ocean.

“We’re gonna keep doing this until we’re not having fun anymore.” Marty confirmed. Steve responded by standing up and striding offstage. With that, Babko came back out, and Marty carried on with talking about his life, his parents, and auditioning for many a Broadway show. He then presented a snippet of what was said to be his first show, “a nude version of the second best story ever told, Stepbrother To Jesus.” By the end of it, even Babko was in a nude suit, flopping around his hand down by his…never mind. “Come on, Jeff, I’ll show you somethin’ huge!” Marty yelled as Steve shooed the two offstage in utter disgust.

If you didn’t know, Steve has been a prodigious banjo player for over 50 years, claiming to have written over 100 banjo songs. He was even kind enough to explain the difference between the banjo and the guitar. “The guitar can get you laid.” he proclaimed.

He sat down and started plucking away effortlessly on a medley of songs he’s written over the years, joined by critically acclaimed country quintet, The First Ladies Of Bluegrass. Before the quintet alone got fifteen minutes devoted to their twangy tunes, the six onstage rocked out to a newer song, I Can Play The Banjo.Every time a break in the lyrics came, one of the First Ladies would do a solo of some sort on their instruments. Steve would then present a dirty look, as a reminder that this was his moment to shine. Nope, no sign of King Tut anywhere.

Once the group’s set ended, Steve came back out to talk some more about ticket prices, until Marty and crew member Jesse Lundsford interrupted him, both slowly marching out in Scottish regalia. He picked Marty up, who put his thumb to the side of Jesse’s mouth, and while rhythmically kicking his right rainbow-socked foot, non-mournfully ululated Amazing Grace, as if he were Jesse’s personal set of bagpipes.

“I can’t believe you laughed at that.” Steve annoyingly poked.

Next came a “puppet” of Marty’s Jiminy Glick, saluting a time when Steve was supposedly doing ventriloquism. Like in the Netflix special, and in general, the two only did one thing together: Roast the hell out of political figures, and Kim Kardashian.

“This is what she looks like without makeup!” The photo on the screen changed from Kim Kardashian to Steven Tyler. Brilliant. Also, apparently Bernie Sanders looks like a used tissue, and Kim Jong Un looks like a bouncer in a lesbian club.

Jiminy ran (yes, ran.) offstage, and out came Marty in his standard suit and tie. Ending the show were eulogies written by each other, for each other, just in case they don’t die together. As you can imagine, Marty’s was full of true sentiment and grief, while Steve’s was just affronting, in his own, perfect, Steve Martin way. “Wow, small turnout. Normally, when the world loses a comedian, everyone’s sad.”

All jokes aside, here’s to many, many more years from the two egomaniacs. We need them immensely, even if their schtick remains more or less the same.

Categories
Concert Reviews

CONCERT REVIEW: Roger Daltrey kicks off five date tour in Clearwater

If you’re not crazy for British rock legends The Who, but enjoy them for their hits, this is not really the kind of show that would be up your alley.

Longtime, and current, lead singer Roger Daltrey has done solo tours before, but none quite like this. The A Quick Run While Pete’s Away five date tour was announced back in August, and only features Daltrey with members of The Who’s backing band. Pete Townshend is on a yearlong sabbatical from The Who, as the tour name says, but there was still a Townshend onstage – – his little brother, Simon on guitar.

Around 7:30, a somewhat newcomer to the music world, Grammy nominee Leslie Mendelson, opened with selections from her 5+ year career and her new album, Love & Murder. One of these songs were created with help from the Grateful Dead’s own Bob Weir. Really.

“Roger and I go way back. Well, we actually do.” Mendelson bragged halfway through. She once played Baba O’Riley with The Who during a benefit gig for charity. “I was tossed a harmonica, and I said ‘But I don’t play it.’ And they said ‘Well, you do now.'”

“The New York weather is following me around!” she earlier joked while acting surprised about how Florida’s weather has suddenly become cooler. Following her 35 minute set with guitarist Eric Kimock, a brief intermission occurred, as she made her way near the Ruth Eckerd lobby to where two Daltrey shirts were being sold to sell and sign CD copies of Love and Murder. Fans were immensely impressed at this new talent, but at 8:21, the lights went down for the real deal. The Pinball Wizard and company walked out to Clearwater for the first time in eight years.

Following a few jokes of how forgettable the night may be if he forgot the words, the band ripped into the overture from The Who’s legendary 1969 rock opera, Tommy. Immediately following was their smash hit Pinball Wizard, also off of Tommy.

As the songs kept dropping, they got more and more obscure. 1981’s Another Tricky Day was dedicated to Donald Trump. “Nothing to do with me, but I’m sure he’ll relate to this song.” There were also some songs that were obscure enough to have never been played in front of a live audience, be it Who, Townshend, or Daltrey. Athena off of 1982’s It’s Hard, the second most recent Who studio album, hasn’t been played since the tour to promote that album.

But the biggest surprise was the debut, the literal live debut, of The Who’s 1975 album track, How Many Friends, which has never in written history been performed live by the band. “Way back when we recorded this in 1975, you even wondered, and I doubt many of us can, count on our friends.” Daltrey recalled. “I knew people with…millions of friends.”

Just about every song had the audience give at least a standing ovation, from the doo-wop style Daltrey earworm Days Of Light, to the song to thank us fans for being fans (Without Your Love), to the electrifying Baba O’Riley. The latter had every member of the audience frenetically howling out the words, as you would likely expect – – After all, it was The Who’s biggest 1970s hit. (with the possible exception of Who Are You, which was also performed to a standing crowd.)

Two songs from The Who’s 1971 live album, Live At Leeds were performed. In comparison to other Who tunes, Young Man Blues and Summertime Blues have faded away into obscurity, but you know what? Nobody seemed to care.

The night ended with Roger and keyboardist Loren Gold playing Always Heading Home, a brand new song from a “forthcoming album.” Needless to say, it’s never been played anywhere else before, at any time.

Daltrey is very openly involved in the Teenage Cancer Trust charity, which helps out teenagers with cancer. “At least, before they turn eighteen, and get moved in with old farts like me.” Daltrey pointed out. He went on to praise the Tampa Bay area for having three hospitals working together to fight teenage cancer, including Moffitt.

And just keep that in mind. The next time you buy something related to The Who, be it a ticket, a licensed shirt, or Roger’s album when it releases, there’s a good chance that at least a portion of your sale will go to the trust.

Frankly, they deserve it.

Categories
Concert Announcements

Art Garfunkel is coming to Clearwater

Sure, every fan of folk rock wishes that Simon and Garfunkel would set aside their differences, and reunite for at least one more tour. But the best we can get to that is by seeing them as solo artists. I saw Paul Simon about a month ago, and I personally think that the only performer that can top that show is Billy Joel. But a lot of people forget that the other half of the world’s biggest folk rock duo is also still active. Though it’s been ten years since Art Garfunkel released a studio album, he still tours small venues around the globe consistently. However, he almost lost that ability in 2010, when he was robbed of his honey voice. He claims that he’s been getting it back slowly but surely, and it sounds like he is. It’s not 100%, but Artie likes to take his voice to the limit at his shows by trying to hit some of the higher notes during Bridge Over Troubled Water.

He’s already been to Florida this year, but like his former partner, he played some shows away from Tampa. Audiences in Fort Pierce, Homestead, and Key West were given “an intimate evening” of nostalgia.

But now, he’s back in Tampa.

Art Garfunkel will play Clearwater’s historic Capitol Theatre on Saturday, January 13. Tickets go on sale Saturday at 10:00 EA, and will range from $49.50 – $105. He played the same exact venue in 2014 to a sold-out crowd. Also, if you’re enough of a fan of him, Garfunkel is also embarking on a book tour to promote his new memoir, What Is It All But Luminous, and will be making a stop to talk at Miami Dade College on October 15. Vouchers are required to get in, but one is good for two people, and cost $29.91.

Categories
Concert Reviews

CONCERT REVIEW: Tom Petty makes it last all night in Tampa

How many big name bands originated in Florida? Not very many, with the exception of The Doors’ Jim Morrison being born in Melbourne. But one band that originated in Gainesville announced in December that they would embark on a 40th anniversary tour. Yes, it’s really been 40 years since Tom Petty and The Heartbreakers released their self-titled debut album.

A lot of shows’ opening acts are artists who are trying to get out there. But when the lights went down at promptly 8:00, who else walks out to open but Joe Walsh of The Eagles? “Good morning!” He rasped before beginning his electric 45 minute setlist. He played songs from his own successful solo career (Meadows; Rocky Mountain Way) and two songs from The Eagles (Take It To The Limit; In The City), the first one being dedicated to his “brother and fellow bandmate, Glenn Frey,” who passed away last year.

SAMSUNG CAMERA PICTURES
The Eagles’ Joe Walsh opens for Tom Petty and the Heartbreakers at Amalie Arena

Walsh left the stage around 8:45, and the roadies began to set up for Tom Petty. People went out to mingle with fellow fans, and to buy t-shirts and beer. Then, at 9:47, the lights went down, and the almost-sold out crowd of over 20,000 fans brought the house down as Tom Petty and his dearly beloved Heartbreakers entered the stage for their second Florida show, their first being the night before in West Palm Beach.

“We’re bringing you 100 percent natural rock and roll, no artificial sweeteners!” he announced as the Heartbreakers prepared their instruments for the best night that Tampa Bay has had in months. The band started out with “the first track from [their] first album,” which was Rockin‘ Around (With You). Petty then went onto his famous sing-along, Mary Jane’s Last Dance, which had the young and old in the audience singing along the whole way through.

Through the rest of the night, Amalie Arena heard mainly greatest hits: The acoustic guitars of Free Fallin and Learning To Fly, and also some deep cuts from Petty’s second solo album, “Wildflowers.” After ending their main set with the frenetic Running Down A Dream, Petty and the guys walked offstage for about two and a half minutes as the ecstatic audience chanted “Petty” until they came back out. The group finished up the show with an encore of You Wreck Me from “Wildflowers,” and American Girl, which was their first album’s closing track.

Petty stated many times through the night how pleased he was to be back home in Florida, and how he “felt the mojo in this room,” to which the roar of the audience was the response he received. At that point in the show, he turned towards the people up in the nosebleeds on each side of the dome.

With Tom onstage were old and new members of the Heartbreakers, including his old buddy and original guitarist Mike Campbell, and also two new members on backing vocals. The Webb Sisters, Charley and Hattie, who were also backup singers in Leonard Cohen’s band from his latter days, are touring with the group for the first, and possibly last time.

In an interview with Rolling Stone from last year, Petty stated how he’s thinking about making this tour “the last big one” with the Heartbreakers, due to the fact that he has a granddaughter he wants to spend time with, and that they’re getting older. That being stated, last night was the perfect opportunity for Petty fans old and young to either relive the old days, or to discover something new.

“Before we leave, I want to hold the world record for the loudest sound ever made in this building,” was his final request to his hyped audience before ripping into his final song of the night.

A loud sound we made, and a loud sound it was.