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The Best Gig I Ever Saw: John Lodge of The Moody Blues

Photo c/o John Lodge

The first concerts I went to see were people like Little Richard and Gene Vincent. But, the one concert I saw that changed me was Buddy Holly and the Crickets. I saw Buddy Holly in Birmingham, England with the Crickets when they toured. And that’s what made me think “yes, that’s what I wanna be.” Because before Buddy Holly, all the American rock people were magic icons. You know, iconic people like Elvis, Little Richard, Jerry Lee Lewis, and Gene Vincent. They’re all iconic. English people couldn’t replicate that. But when I saw Buddy Holly, I realized, “Singer-songwriter. That’s it. That’s for me.” And I think I bought every Buddy Holly record after that, and I learned all his songs promptly. In actual fact, I’ve just been presented with a Buddy Holly guitar from the Buddy Holly Foundation. I received it in July last year, and it’s a beautiful guitar, just like Buddy’s. So, Buddy Holly was the guy.

Tickets to see John Lodge of The Moody Blues play downtown Clearwater’s Bilheimer Capitol Theatre on Tuesday, July 9 are still available and start at $39.50.

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Concert Reviews

CONCERT REVIEW: Steve Martin and Martin Short jab, pluck, and screech during almost-annual comedy routine at Ruth Eckerd Hall

“If you get offended by anything, please just send an email to my team. toughshitnorefunds@gmail.com!” Comedy legend Steve Martin opened yet another sold-out show with mediocre comedian (to him, anyway) Martin Short with.

Were there offensive elements? Sure. But was the show itself a riotous, comedic mess in its own ideal way? Without a doubt.

The superduo released a special on Netflix a year or two ago, entitled An Evening You Will Forget For The Rest Of Your Life. And though this string of dates, properly titled The Funniest Show In Town At The Moment, takes place two years later, there wasn’t really much in the way of material unseen in the special. There was a smidge more commentary during some portions though, which probably explains why the evening was about 45 minutes longer than the Netflix special.

Once a montage of the headlining duo’s best moments in film went black, the original Wild And Crazy Guy came out around 8:15. Almost immediately after his warnings about there being no intermission, and how he doesn’t care if you get offended, he introduced his “lesser-known” sidekick.

“Just because I said thank you doesn’t mean you have to stop applauding!” Marty jabbed almost immediately. A few insults and anti-compliments later, the two burst into song, with Jimmy Kimmel Live! pianist Jeff Babko, admitting that they have over-inflated egos, but were about to kick some serious comedy ass.

First and foremost, some childhood images of the comics were displayed on a big screen that normally magnified the two. “That was the year I was voted ‘Most Likely To Marry A Cousin!’” Marty admitted upon seeing his high school senior photo. “GET THAT OFF THE SCREEN!” Steve hollered, upon coming face-to-face with a picture of the two making out at an AFI event.

Most of the night consisted of roasting each other on how chubby or old they once looked for their age, or how painfully lame and unentertaining each other’s work was. But after teaching three guys from the audience The Three Amigos salute, a sliver of civility finally came out when the two sat in their living room-style chairs, and just reminisced for about twenty-five minutes. They were mainly short anecdotes about their extensive careers, from when Marty actually met Katharine Hepburn, to when Steve told about a time him and Marty went to St. Barts for Christmas, and The National Enquirer shot a rather unflattering photo of the two in the ocean.

“We’re gonna keep doing this until we’re not having fun anymore.” Marty confirmed. Steve responded by standing up and striding offstage. With that, Babko came back out, and Marty carried on with talking about his life, his parents, and auditioning for many a Broadway show. He then presented a snippet of what was said to be his first show, “a nude version of the second best story ever told, Stepbrother To Jesus.” By the end of it, even Babko was in a nude suit, flopping around his hand down by his…never mind. “Come on, Jeff, I’ll show you somethin’ huge!” Marty yelled as Steve shooed the two offstage in utter disgust.

If you didn’t know, Steve has been a prodigious banjo player for over 50 years, claiming to have written over 100 banjo songs. He was even kind enough to explain the difference between the banjo and the guitar. “The guitar can get you laid.” he proclaimed.

He sat down and started plucking away effortlessly on a medley of songs he’s written over the years, joined by critically acclaimed country quintet, The First Ladies Of Bluegrass. Before the quintet alone got fifteen minutes devoted to their twangy tunes, the six onstage rocked out to a newer song, I Can Play The Banjo.Every time a break in the lyrics came, one of the First Ladies would do a solo of some sort on their instruments. Steve would then present a dirty look, as a reminder that this was his moment to shine. Nope, no sign of King Tut anywhere.

Once the group’s set ended, Steve came back out to talk some more about ticket prices, until Marty and crew member Jesse Lundsford interrupted him, both slowly marching out in Scottish regalia. He picked Marty up, who put his thumb to the side of Jesse’s mouth, and while rhythmically kicking his right rainbow-socked foot, non-mournfully ululated Amazing Grace, as if he were Jesse’s personal set of bagpipes.

“I can’t believe you laughed at that.” Steve annoyingly poked.

Next came a “puppet” of Marty’s Jiminy Glick, saluting a time when Steve was supposedly doing ventriloquism. Like in the Netflix special, and in general, the two only did one thing together: Roast the hell out of political figures, and Kim Kardashian.

“This is what she looks like without makeup!” The photo on the screen changed from Kim Kardashian to Steven Tyler. Brilliant. Also, apparently Bernie Sanders looks like a used tissue, and Kim Jong Un looks like a bouncer in a lesbian club.

Jiminy ran (yes, ran.) offstage, and out came Marty in his standard suit and tie. Ending the show were eulogies written by each other, for each other, just in case they don’t die together. As you can imagine, Marty’s was full of true sentiment and grief, while Steve’s was just affronting, in his own, perfect, Steve Martin way. “Wow, small turnout. Normally, when the world loses a comedian, everyone’s sad.”

All jokes aside, here’s to many, many more years from the two egomaniacs. We need them immensely, even if their schtick remains more or less the same.

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Concert Reviews

CONCERT REVIEW: Brian Wilson and company play Pet Sounds in Clearwater for the last time…maybe

“Hello, Clearwater!” former Beach Boy Brian Wilson exclaimed last night.

“Retirement” is not a word in the 76-year-old’s vocabulary. Drugs causing him to become schizoaffective nearly took his life, and a mercilessly abusive doctor nearly made him reach rock bottom. But here’s the thing about the sole founder of The Beach Boys: He loves music. He loves it enough to almost never be off the road, especially in the last five years aside from the making of his biopic Love And Mercy in 2014. In 2016, the year The Beach Boys’ legendary Pet Sounds album turned 50, Brian announced a tour to play the whole album all the way through, with fellow original Beach Boy, rhythm guitarist Al Jardine, and everyman Blondie Chaplin, a man who toured with The Beach Boys and The Rolling Stones, (of whom some of his walking actions imitated). He had played it on the road many times before, but this would be the last time, he claimed.

The guys already brought Pet Sounds to Tampa Bay in 2016, at St. Pete’s Mahaffey Theater, and back to Florida last year at Orlando’s Walt Disney Theater. Clearwater hasn’t had Brian here since his 2013 tour with Yardbird and legendary guitarist Jeff Beck, who was also in Tampa this year, with Paul Rodgers and Ann Wilson. Tonight wasn’t even the scheduled date for his arrival. The show was supposed to take place on May 18, but due to successful back surgery Brian needed in early May, he had to push the date forward. Of course, you have to put your health before your fans, and because my favorite composer did that, this was almost definitely not one of his final shows.

Around 9:00, following an acoustic, yet frenetic opening set from Irish-British duo Beat Root Revival, the entire band came out at the same time. Wilson is unfortunately immensely fragile, and therefore had to be assisted to his white piano.

The first part of the show, or at least everything before Wouldn’t It Be Nice, was a series of semi-hits. By that, I mean not songs that any old Joe in the street would know instantly, but the songs that a Beach Boys fan would think are overplayed, in comparison to others. California Girls opened the show, and later, a sing-along of “the first song Brian ever wrote for The Beach Boys,” Surfer Girl, and an all-in California Saga. “Cool, clear-water! I get it!” Al Jardine called out during the applause.

Two songs then came from Blondie Chaplin, and finally, the needle dropped on Pet Sounds. And it wasn’t only Brian’s band playing, either. An eight-piece orchestra (The Ruth Eckerd Hall Chamber Orchestra, as described in the band intros later on) joined in for the authentic strings on the album. Wouldn’t It Be Nice was crooned by Brian’s son-in-law Rob Bonfiglio, who has apparently replaced Jardine’s golden voiced son Matt. Not to say that’s a bad thing at all – both can hit those falsettos that Brian no longer can.

The crowd of boomers joined in on side A’s ending, the Jardine voiced Sloop John B, and then the record flipped. As you’d probably expect, God Only Knows, often called the best song of the 1960s (some may say of all time) got a thirty second standing ovation. That doesn’t seem like long, but it was long enough for Brian. “Please be seated,” he requested so he could know when to begin the non-melancholy, LSD inspired I Know There’s An Answer. Finally, during Pet Sounds’ crushing finale, Caroline, No, Brian was helped off mid-song, just to walk out once again during the band introductions that kicked off the encore. Now THAT got the crowd on their feet.

And all but one were played in the original key, too. The antagonist of God Only Knows legend-wise, Good Vibrations, kicked it off, going into Help Me, Rhonda, sung by Jardine. And of course, there were bigger ones that even non-fans know. Barbara Ann, Surfin’ USA, and Fun, Fun, Fun. And it indeed was all fun, fun, fun and games until the last number: Love And Mercy, one of, if not, the most adored pieces by Brian, post-Beach Boys.

I think a good chunk of the folks who came out to see Pet Sounds live one last time (whatever) only came to see Brian because he’s a living legend. You know something? I don’t know about anybody else, but if Brian comes back here again, (you know he will) you have to either not be a fan, or crazy, to sit it out. Also, The Beach Boys with Mike Love are going to rock Ruth Eckerd in a more corporate way in February, and anyone going to that show, but not Brian’s solely because of his condition, should really rethink their love for the band.

And not to mention Brian’s coming back next month for a Christmas show in Sarasota. On one hand, he should take it easy. On the other hand, God only knows where we’d be without him.

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Concert Reviews

CONCERT REVIEW: John Fogerty stops the rain with help from ZZ Top

“Clearwater. That’s a funny name, now ain’t it?” John Fogerty began.

About 75 percent of the audience at Coachman Park on Saturday night were not only fans of John’s career. It was who he was opening for, ZZ Top, that they were also hyped about. See, the two are co-headlining on the Blues And Bayous Tour together this month. And while it’s a limited run, it’s the show of a lifetime to say the least.

Ten minutes after a 30 minute opening set from country artist Ryan Kinder, Fogerty and company kicked off with the CCR classic Travelin’ Band, followed by a non-transposed version of Hey Tonight. Along with CCR hits came solo songs, such as his recent collaboration with Brad Pitt, Love And War, (“I know there are a lot of vets out here tonight. These veterans are not being treated so well in this country right now.”) the twangy Old Man Down The Road, and of course, Centerfield, of which John literally strummed a baseball bat on. A BASEBALL BAT.

Among those hits that were by CCR included Born On The Bayou, which was complete with a bayou background on the big screen, a crowd-rising, shortened version of Down On The Corner, and Have You Ever Seen The Rain, dedicated to John’s 16 year old daughter (“Kelsey is a rainbow in my life, and this song has a rainbow in it.”) Following a flag-draped Fortunate Son on his plaid electric, John ran (yes. RAN.) back out to play two more songs he knew he couldn’t skip over. The legendary Bad Moon Rising was first, and that had everyone in the park bolting out the words, whether they were there for ZZ, John, or both. Finally came Proud Mary, the highlight of the night to me, which also had every fan exploding into song.

Now, to answer one of John’s questions about eight songs in. “Say, who’s that bearded fella that’s wandering around backstage?”

Why, that would be Billy F. Gibbons himself.

Our first glimpse at ZZ Top was about twenty minutes into Fogerty’s set, when Billy joined him to jam to their upcoming collaboration song, Holy Grail, which officially releases June 8. But around 9:30, Billy came back out, along with his old buddies Dusty Hill and Frank Beard, and kicked off with Got Me Under Pressure.

Most of the fans there that night were in attendance for ZZ. And Fogerty was seen by many as just a nice little addition to the show, which was totally proven wrong many a time. “Let’s hear it again for the great John Fogerty!” Billy called out once or twice during his set. But while neither acts were “nice additions,” like John before them, ZZ’s set was full of wall-to-wall hits such as a frenetic ride through Gimme All Your Lovin’, and a sing-along of I’m Bad, I’m Nationwide. And of course, you can’t forget their signature hits: Y’know, Sharp Dressed Man, Tush, La Grange, Legs. (which featured fluffy guitars. Yes, literally fluffy.) All of those were played, along with a cover of Jailhouse Rock serving as the encore.

We really got lucky this time with ZZ Top. Apparently, their last few shows in the Tampa area have either been postponed or cancelled. But this time, they just wouldn’t have it. And Fogerty hasn’t been to the area since he brought his 1969 Tour to the Amphitheater three years ago.

In rock and roll terms, this tour is the real deal. A man who wrote, played, and sang some of the most beloved songs of the late 60s and early 70s, and a Texas trio who in nearly 50 years have never had a lineup change, or even an added member onstage, excluding one-off special guests. “We’ve been comin’ here for the last…five decades! Same three guys, too.” Billy recalled near the end of his set.

Here’s to another five from both acts.

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Concert Reviews

CONCERT REVIEW: Roger Daltrey kicks off five date tour in Clearwater

If you’re not crazy for British rock legends The Who, but enjoy them for their hits, this is not really the kind of show that would be up your alley.

Longtime, and current, lead singer Roger Daltrey has done solo tours before, but none quite like this. The A Quick Run While Pete’s Away five date tour was announced back in August, and only features Daltrey with members of The Who’s backing band. Pete Townshend is on a yearlong sabbatical from The Who, as the tour name says, but there was still a Townshend onstage – – his little brother, Simon on guitar.

Around 7:30, a somewhat newcomer to the music world, Grammy nominee Leslie Mendelson, opened with selections from her 5+ year career and her new album, Love & Murder. One of these songs were created with help from the Grateful Dead’s own Bob Weir. Really.

“Roger and I go way back. Well, we actually do.” Mendelson bragged halfway through. She once played Baba O’Riley with The Who during a benefit gig for charity. “I was tossed a harmonica, and I said ‘But I don’t play it.’ And they said ‘Well, you do now.'”

“The New York weather is following me around!” she earlier joked while acting surprised about how Florida’s weather has suddenly become cooler. Following her 35 minute set with guitarist Eric Kimock, a brief intermission occurred, as she made her way near the Ruth Eckerd lobby to where two Daltrey shirts were being sold to sell and sign CD copies of Love and Murder. Fans were immensely impressed at this new talent, but at 8:21, the lights went down for the real deal. The Pinball Wizard and company walked out to Clearwater for the first time in eight years.

Following a few jokes of how forgettable the night may be if he forgot the words, the band ripped into the overture from The Who’s legendary 1969 rock opera, Tommy. Immediately following was their smash hit Pinball Wizard, also off of Tommy.

As the songs kept dropping, they got more and more obscure. 1981’s Another Tricky Day was dedicated to Donald Trump. “Nothing to do with me, but I’m sure he’ll relate to this song.” There were also some songs that were obscure enough to have never been played in front of a live audience, be it Who, Townshend, or Daltrey. Athena off of 1982’s It’s Hard, the second most recent Who studio album, hasn’t been played since the tour to promote that album.

But the biggest surprise was the debut, the literal live debut, of The Who’s 1975 album track, How Many Friends, which has never in written history been performed live by the band. “Way back when we recorded this in 1975, you even wondered, and I doubt many of us can, count on our friends.” Daltrey recalled. “I knew people with…millions of friends.”

Just about every song had the audience give at least a standing ovation, from the doo-wop style Daltrey earworm Days Of Light, to the song to thank us fans for being fans (Without Your Love), to the electrifying Baba O’Riley. The latter had every member of the audience frenetically howling out the words, as you would likely expect – – After all, it was The Who’s biggest 1970s hit. (with the possible exception of Who Are You, which was also performed to a standing crowd.)

Two songs from The Who’s 1971 live album, Live At Leeds were performed. In comparison to other Who tunes, Young Man Blues and Summertime Blues have faded away into obscurity, but you know what? Nobody seemed to care.

The night ended with Roger and keyboardist Loren Gold playing Always Heading Home, a brand new song from a “forthcoming album.” Needless to say, it’s never been played anywhere else before, at any time.

Daltrey is very openly involved in the Teenage Cancer Trust charity, which helps out teenagers with cancer. “At least, before they turn eighteen, and get moved in with old farts like me.” Daltrey pointed out. He went on to praise the Tampa Bay area for having three hospitals working together to fight teenage cancer, including Moffitt.

And just keep that in mind. The next time you buy something related to The Who, be it a ticket, a licensed shirt, or Roger’s album when it releases, there’s a good chance that at least a portion of your sale will go to the trust.

Frankly, they deserve it.

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Concert Announcements

YES, it’s true…

 

Once again, I will officially be reviewing Yes featuring Anderson, Rabin, and Wakeman on October 11 at Ruth Eckerd Hall! This will be my second time seeing them and my first time reviewing them over here. I reviewed them for my school paper last year as a sophomore, but needless to say, nobody, even my journalism class director, didn’t really pick up on it. But I thought that perhaps you would. I walked in that venue thinking of Yes as sort of a mediocre band. But I walked out with them in my top 10. Barely edited for accuracy, this was the first concert review I ever wrote last year, following ARW’s first Ruth Eckerd (and second overall) show that I was invited to the night before it happened. And keep in mind that it was mainly directed towards stupid teenagers who probably hadn’t heard of Yes.

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In today’s generation, a typical teenager enjoys rap and autotune, and a lot of them don’t know of some amazing music of the past. I’m the only one without a silver head at the concerts I go to, because I have an odd taste in music. This year, with the passings of David Bowie, Glenn Frey of the Eagles, and Prince, a load of people, including myself, have learned to never take anybody for granted, and this is why now is the best time to see some rock legends live before they pass away. Friday night, however, in Ruth Eckerd Hall, stood three gentlemen, two in their 60s and one in his 70s, playing a reunion concert. And you know what? The gentlemen sounded just like they did since the beginning.

The former members of the progressive rock band YES, Jon Anderson, Trevor Rabin, and Rick Wakeman have embarked on a world tour as ARW. Anderson still has his truly soprano voice, Rabin still shreds out the guitar solos like a master, and Wakeman played more than five keyboards and a keytar that night, sometimes two at once. They decided to kick off the tour in Orlando on Wednesday night, and were scheduled to play a show in Hollywood, FL, but had to cancel because of Hurricane Matthew. Rabin and Wakeman opened with the iconic Cinema from Yes’ 1983 album, 90125, as Anderson came running out with his Mickey Mouse gloves. The new reunion band gave its audience of about 2,000 people an electric ride through songs such as Hold On and the classic Rhythm of Love. About three quarters of the way through, as Rabin walked offstage for about two minutes, Anderson and Wakeman played a four minute song from when they were a part of a different incarnation of former members of Yes in the late 80s, which featured both of them, as well as guitarist Steve Howe and original drummer Bill Bruford. The piano accompanied song, The Meeting, which was written “at midnight, under the stars” according to Anderson. The band wrapped up the evening with their nearly 20-minute epic, Awaken, from their 1977 album Going For The One, and perhaps their most iconic song, Owner of a Lonely Heart, along with an encore of Roundabout.

“You’ll never hear a finer show,” lifelong fan Rodney Wademan stated at the end of the show. Concerts are always amazing to attend, especially if they’re somebody who has aged and still has energy and talent, because thirty years from now, if the artist has passed on, you’d have a bit of a bragging right, because you will have experienced something that your children, and possibly even your peers, unfortunately, never will get to. But with the way that all three members of ARW look and sound, even after almost 50 years, they could stay alive for another 50.

 

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Concert Announcements

Roger Daltrey coming to Ruth Eckerd Hall

On April 15, 2015, one of the most popular British Invasion bands kicked off the US leg of their 50th anniversary/farewell tour (whatever) in Tampa. The Who’s two surviving original members, guitarist Pete Townshend and lead vocalist Roger Daltrey have been on the road nearly all their lives, be it solo or together. But following the 1979 death of drummer Keith Moon, they’ve seemed to make every tour since then a farewell tour, yet they always came back. It was a close call for them in 2002, though when bassist John Entwistle died only a day before the second leg of that year’s tour began. The Who was on the road a little bit this year, playing few cities in the US, and holding a nearly three-week long residency at Caesar’s Palace in Las Vegas. Later this year, however, along with some shows in South America with Def Leppard and Guns N’ Roses, the two will (hopefully) temporarily go their separate ways to fulfill solo projects. Townshend will be doing a short Classic Quadrophenia tour with Billy Idol next month.

Daltrey will also be doing a solo tour of about five different cities. And Clearwater just got lucky.

Roger Daltrey will play Clearwater’s Ruth Eckerd Hall on Monday, October 30. The show will be opened by Grammy-nominated singer/songwriter Leslie Mendelson at promptly 7:30. While Townshend will not be there, other touring members of The Who – – including drummer Zak Starkey – – will be. Tickets go on sale this Saturday, starting at $63.50.

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Concert Announcements

Ringo Starr and the All-Starr Band coming to Clearwater, but not the way you think.

This week, Sir Paul McCartney made his long awaited stop in Tampa for the first time in 12 years. But the other living Beatle is also headed for the Sunshine State.

Ringo Starr and the All-Starr Band will already be making a stop in Florida this tour, just in Ft. Lauderdale for two nights at the Parker Playhouse. But sometime before or after those shows, he will play Clearwater. But it won’t be a ticketed performance. Ruth Eckerd Hall has a very exclusive “Friends Of Music” club that you must be invited to pay to get in, and only special people who have paid roughly $5,000+ get full access to exclusively private concerts by big name artists that do not take place at Ruth Eckerd Hall. Artists through the years have included Hall & Oates, Foreigner, Styx, and Toby Keith.

Ringo’s last time in Clearwater was in October of 2014 with his beloved All-Starr Band. It probably won’t happen, but in the meantime, here’s hoping that the performance will be made public. If not, maybe Ringo will drop by Tampa for at least one more public show before retiring to his octopus’s garden.

Peace and love.

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Concert Announcements

Art Garfunkel is coming to Clearwater

Sure, every fan of folk rock wishes that Simon and Garfunkel would set aside their differences, and reunite for at least one more tour. But the best we can get to that is by seeing them as solo artists. I saw Paul Simon about a month ago, and I personally think that the only performer that can top that show is Billy Joel. But a lot of people forget that the other half of the world’s biggest folk rock duo is also still active. Though it’s been ten years since Art Garfunkel released a studio album, he still tours small venues around the globe consistently. However, he almost lost that ability in 2010, when he was robbed of his honey voice. He claims that he’s been getting it back slowly but surely, and it sounds like he is. It’s not 100%, but Artie likes to take his voice to the limit at his shows by trying to hit some of the higher notes during Bridge Over Troubled Water.

He’s already been to Florida this year, but like his former partner, he played some shows away from Tampa. Audiences in Fort Pierce, Homestead, and Key West were given “an intimate evening” of nostalgia.

But now, he’s back in Tampa.

Art Garfunkel will play Clearwater’s historic Capitol Theatre on Saturday, January 13. Tickets go on sale Saturday at 10:00 EA, and will range from $49.50 – $105. He played the same exact venue in 2014 to a sold-out crowd. Also, if you’re enough of a fan of him, Garfunkel is also embarking on a book tour to promote his new memoir, What Is It All But Luminous, and will be making a stop to talk at Miami Dade College on October 15. Vouchers are required to get in, but one is good for two people, and cost $29.91.

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Concert Reviews

CONCERT REVIEW: DanTDM strums and games for Clearwater

A YouTube star on tour? On a real-life stage? Get outta town.

Clearwater’s Ruth Eckerd Hall has been hosting acts from YouTube stars since Dan and Phil brought The Amazing Tour Is Not On Fire to Clearwater last year. It was a sold out show that had the energy of a Beatles concert at the height of Beatlemania. Just about every teenage girl in the Tampa Bay area was there. But what if there was a YouTube act that the younger kids could enjoy? Specifically the gamer kids?

Enter DanTDM.

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DanTDM played his acoustic guitar at Ruth Eckerd Hall

British gamer Dan Middleton (aka The Diamond Minecart) has been a YouTube sensation since he first created the The Diamond Minecart YouTube channel in 2012. Since then, he has accomplished over 10 billion views and over 15 million subscribers, mainly consisting of kids ages 5-13. Dan is currently on the second leg of his first ever US tour, and he decided to stop in Florida for four shows, two of which were in Orlando.

Clearwater was his final Florida stop. I only attended because my younger brother is a huge fan. I, personally, prefer live shows from longtime musicians and bands, but you know what? Almost all of the non-fans in the venue underestimated Dan’s showmanship skills.

Starting ten minutes before showtime, just about every kid in the venue chanted “We want Dan!” from 10 minutes before the show began, to when Dan actually ran down the right side aisle of Ruth Eckerd Hall to greet the sold out crowd of kids ages 5-14, many of them having dyed their hair blue to imitate their hero. After a brief intro from Dan, the story began: An “Evil Dan” kidnaps Dan’s beloved pet pug Ellie, and it’s up to him and his science – – and cellphone – – crazed friend, Eve, to get through Evil Dan’s challenge to get his pug back. And how else?

Through video games, of course.

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DanTDM gets in on a science experiment with touring mate, Eve

He selected a number of kids from the audience to take on each other, and play solo on the games Dan was challenged with. And these weren’t VIP kids. While they were all much closer than I was, these were just normal audience members who likely didn’t buy the meet and greet pass, which sold out within days.

At the end of it all, Dan and Eve made us promise that we’d keep all that we saw a secret. So while I can’t say much more, I’ll say for sure that even though my brother had a better time than I did, it was a much better show than I expected. And if you have kids who love DanTDM, or if you are a kid who loves DanTDM, this show is a blast.

But just remember to scream loud and bring your diamond sword, and maybe, you’ll get picked to come onstage.