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Concert Reviews

CONCERT REVIEW: Brian Wilson and company play Pet Sounds in Clearwater for the last time…maybe

“Hello, Clearwater!” former Beach Boy Brian Wilson exclaimed last night.

“Retirement” is not a word in the 76-year-old’s vocabulary. Drugs causing him to become schizoaffective nearly took his life, and a mercilessly abusive doctor nearly made him reach rock bottom. But here’s the thing about the sole founder of The Beach Boys: He loves music. He loves it enough to almost never be off the road, especially in the last five years aside from the making of his biopic Love And Mercy in 2014. In 2016, the year The Beach Boys’ legendary Pet Sounds album turned 50, Brian announced a tour to play the whole album all the way through, with fellow original Beach Boy, rhythm guitarist Al Jardine, and everyman Blondie Chaplin, a man who toured with The Beach Boys and The Rolling Stones, (of whom some of his walking actions imitated). He had played it on the road many times before, but this would be the last time, he claimed.

The guys already brought Pet Sounds to Tampa Bay in 2016, at St. Pete’s Mahaffey Theater, and back to Florida last year at Orlando’s Walt Disney Theater. Clearwater hasn’t had Brian here since his 2013 tour with Yardbird and legendary guitarist Jeff Beck, who was also in Tampa this year, with Paul Rodgers and Ann Wilson. Tonight wasn’t even the scheduled date for his arrival. The show was supposed to take place on May 18, but due to successful back surgery Brian needed in early May, he had to push the date forward. Of course, you have to put your health before your fans, and because my favorite composer did that, this was almost definitely not one of his final shows.

Around 9:00, following an acoustic, yet frenetic opening set from Irish-British duo Beat Root Revival, the entire band came out at the same time. Wilson is unfortunately immensely fragile, and therefore had to be assisted to his white piano.

The first part of the show, or at least everything before Wouldn’t It Be Nice, was a series of semi-hits. By that, I mean not songs that any old Joe in the street would know instantly, but the songs that a Beach Boys fan would think are overplayed, in comparison to others. California Girls opened the show, and later, a sing-along of “the first song Brian ever wrote for The Beach Boys,” Surfer Girl, and an all-in California Saga. “Cool, clear-water! I get it!” Al Jardine called out during the applause.

Two songs then came from Blondie Chaplin, and finally, the needle dropped on Pet Sounds. And it wasn’t only Brian’s band playing, either. An eight-piece orchestra (The Ruth Eckerd Hall Chamber Orchestra, as described in the band intros later on) joined in for the authentic strings on the album. Wouldn’t It Be Nice was crooned by Brian’s son-in-law Rob Bonfiglio, who has apparently replaced Jardine’s golden voiced son Matt. Not to say that’s a bad thing at all – both can hit those falsettos that Brian no longer can.

The crowd of boomers joined in on side A’s ending, the Jardine voiced Sloop John B, and then the record flipped. As you’d probably expect, God Only Knows, often called the best song of the 1960s (some may say of all time) got a thirty second standing ovation. That doesn’t seem like long, but it was long enough for Brian. “Please be seated,” he requested so he could know when to begin the non-melancholy, LSD inspired I Know There’s An Answer. Finally, during Pet Sounds’ crushing finale, Caroline, No, Brian was helped off mid-song, just to walk out once again during the band introductions that kicked off the encore. Now THAT got the crowd on their feet.

And all but one were played in the original key, too. The antagonist of God Only Knows legend-wise, Good Vibrations, kicked it off, going into Help Me, Rhonda, sung by Jardine. And of course, there were bigger ones that even non-fans know. Barbara Ann, Surfin’ USA, and Fun, Fun, Fun. And it indeed was all fun, fun, fun and games until the last number: Love And Mercy, one of, if not, the most adored pieces by Brian, post-Beach Boys.

I think a good chunk of the folks who came out to see Pet Sounds live one last time (whatever) only came to see Brian because he’s a living legend. You know something? I don’t know about anybody else, but if Brian comes back here again, (you know he will) you have to either not be a fan, or crazy, to sit it out. Also, The Beach Boys with Mike Love are going to rock Ruth Eckerd in a more corporate way in February, and anyone going to that show, but not Brian’s solely because of his condition, should really rethink their love for the band.

And not to mention Brian’s coming back next month for a Christmas show in Sarasota. On one hand, he should take it easy. On the other hand, God only knows where we’d be without him.

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Concert Announcements

BREAKING: Ozzy Osbourne coming to Tampa with Megadeth

SHARON! If your Monday is going off the rails, this is news that will blow your mind.

Ozzy Osbourne is one of the many legends of rock who have announced his retirement from touring this year, and after a recent medical scare, it was believed that he may have to put the tour off. But nope.

The Prince Of Darkness just announced his rescheduled shows for next year, as well as a new batch. One of the new ones includes a stop at Tampa’s Midflorida Credit Union Amphitheater on June 2. And the craziest part? Megadeth will open for him.

Tickets go on sale this Friday, starting at a whopping $29.50. With a lineup as such, it’s almost like Ozzfest is coming in, so get your tickets as soon as presale begins!

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Concert Reviews

CONCERT REVIEW: Bob Dylan throws in classics and deepish cuts without communication

“I’m a worried man, I got a worried mind, no one in front of me and no one behind,” Bob Dylan croaked as his sold-out show at Ruth Eckerd Hall Saturday night began. Not a camera was in sight. All around the venue, there were warnings about how if one took any video or photos, it would be grounds for removal from the venue. And most folks sneaking in a photo or two were demanded by security every ten minutes to put it away.

But enough about that. How was the show?

Dylan has been on the road pretty much his whole life, and with “his band” on his Never Ending Tour, which, since its start 30 years ago, has changed in just about every way imaginable. The lights went down around 8:05, and Bob and the band hit the stage to kick off with 2000’s Things Have Changed, immediately followed by an unrecognizable, yet heartfelt It Ain’t Me, Babe.

In between every song, the lights onstage would go down for some secretive Dylan reason. He didn’t stop to talk to the audience. Not even at the end. And almost each time they came back on, the man was still sitting at the piano. That was the cool part of this show: Bob didn’t pick up a guitar once. And he only stood up from the piano twice. During Scarlet Town and once again later on in his set.

Unlike a normal 21st century Dylan show, the classics actually had a great presence in the setlist. New arrangements of Highway 61 Revisited, Simple Twist Of Fate, and When I Paint My Masterpiece, just to name a few. Also included were more recently recorded songs that had far different arrangements than the originals. A heartbreaking rendition of Trying To Get To Heaven, and a nearly identical ride through the 1997 lament Love Sick.

Speaking of identical to the original recording, Like A Rolling Stone made it into the rotation, for the first time in about six years. Yep, he’s played it literally over a thousand times in 50 years, and it replaced 1975’s Tangled Up In Blue at the tail end of the most recent leg of the tour. While both are genius, it’s not a Dylan show without the former. I mean, how would you feel if you went to see Paul McCartney, and he didn’t play Hey Jude?

Following an all-in Gotta Serve Somebody, the legend and his band snuck behind the grey-orange curtain, and after a minute, firmly walked out once again. Dylan remained behind the piano for his very generous encore of 1963’s Blowin’ In The Wind, and 1965’s Ballad Of A Thin Man. You could tell what they were, just by each song’s iconic opening lyrics.

Oh, and we got a bow at the end, rather than just a nod.

These days, Dylan does Dylan, because he knows he can. What does he care if his fans complain? With a Nobel Prize, a Rock And Roll Hall Of Fame induction, and a career spanning over 55 years, he could retire now, and his fans wouldn’t complain.

That said, he’s also one of the last folk-rockers that still plays, now that Paul Simon‘s retired, among many others. But anyway, long live Dylan. Period.

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Concert Announcements

Jeff Lynne’s ELO coming to Tampa

We’ve had a Traveling Wilbury in Tampa every year since 2013. 2014 and 2017 had Tom Petty and the Heartbreakers. 2013, 2015, 2016, and this year had Bob Dylan. And in under a month, a hologram of Roy Orbison will be here.

George Harrison never stopped in Tampa in his life, solo or as a Beatle. Jeff Lynne, on the other hand? Hasn’t been around here since 1976.

You may worry that you’ll never get to see the recent Rock & Roll Hall Of Famer in your life. Well, worry no more. Following their first US tour in 35 years a few months back, Jeff Lynne’s ELO announced today that they’re coming back next summer to play mainly places they missed. Tampa’s Amalie Arena, and Sunrise, are on the list.

Tickets for the July 7, 2019 show go on sale next Monday, and start at $45.75.

With hits such as Don’t Bring Me Down, and Mr. Blue Sky, Electric Light Orchestra is especially known for their breathtaking theatrics, with a UFO currently serving as the band’s main icon. This is a once-in-a-lifetime show, and one of the many big names from the 70s that haven’t stopped here in forever that are making a change.

The only other ones I can think of are Queen, Peter Gabriel, and David Gilmour, but for now, be prepared, as the producer of Tom Petty’s Full Moon Fever, is about to blow us away.

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Everything Else

Thanksgiving Pie Recipe

It’s the day after Thanksgiving, and you’ve returned home from risking your life at Target. Somehow, you’re hungry all of a sudden, with a fridge full of leftovers.

Whatever shall you do?

Here is a recipe for a killer Thanksgiving pie that works ideally for leftovers, or if you’re feeling lazy, the main meal. I wrote this recipe with the help of many different people in my culinary class. It was for a pie competition being held by Sonny’s BBQ, where the grand prize was $700 per person. Yeah, no way I could pass that up.

The idea was conceived by my partner Eileen’s mom, who was just throwing around ideas. Eileen gave me the motivation to do this, so for an entire month, we fiddled with the pie in so many ways. The original pie had all the ingredients used, but was very different. The potatoes were unseasoned, and stood alone, almost the whole can of corn was dumped on top, the turkey was cut into smallish pieces and drenched in just the drippings, and the cranberry sauce and stuffing topped the turkey with no style whatsoever. The top crust was also the other half of our pie crust, which is the recipe written by the Jacobson Culinary Arts Academy. (the school we’re at.)

People always asked us for a piece, or how we were doing with it, or what kind of adjustments we were making. This kind of pie is unique to this competition especially, solely because about 95% of the pies are sweet. Not to say that’s a bad thing, but there will come a point where the judges will get sick and tired of sugar, and some of the pies may even begin to taste all the same to them. My pie can be seen as sort of a relief, if that makes sense. “Finally, some salt!” they’ll exclaim!

Here is the recipe I used. Most of these ingredients came from Sprouts, and everything is 100% authentic without hormones and such. Do what you will with this. Get creative if you must, there’s always something that can be adjusted, no matter how perfect it tastes.

Thanksgiving Pie 

Crust

3 1/3 cups flour

.6 tsp salt

5 oz butter, diced

.6 cups shortening

.6 cups water

Filling

½ turkey breast, shredded and pressure cooked

½ cup flour (for gravy)

¼ cup turkey drippings (for gravy)

½ cup butter (for gravy)

4 potatoes, peeled and mashed

½ can corn

½ can cranberry sauce

½ serving stuffing (see below)

Stuffing

3 tbsp butter

10 0z chicken sausage

1 carrot, minced

1 onion, minced

1 stalk celery, minced

2 cups turkey or chicken stock

1/3 cups olive oil

2 tbsp roughly chopped sage

1 loaf ciabatta bread, cut into 1” pieces

Crust

  • In mixing bowl, mix flour and salt together, set aside
  • In separate bowl, using two forks, combine butter and shortening
  • In a KitchenAid, whisk together both mixtures until contents resemble coarse crumbles
  • Sprinkle water a little at a time over mixture and continue to mix until a dough forms.
  • Form dough into disc shape and chill at least 30 minutes before serving

 

Ciabatta Sausage Stuffing

  • Heat oven to 375 degrees. Melt 1 tbsp of butter in 1 12” skillet over medium-high heat. Cook sausage, stirring and breaking up meat into medium pieces, until browned. 8-10 minutes. Transfer sausage to large bowl, set aside.
  • Add remaining butter to skillet; sauté carrots, onions, and celery until soft, 5-7 minutes. When finished, move to sausage bowl. Add stock, oil, sage, bread, salt, and pepper to bowl, toss to combine.
  • Spread evenly in a 9 x 13 baking dish. Bake until golden brown and bread is slightly crisp on top, 30-35 minutes.

Filling

  • Peel and boil potatoes in boiling water. When tender enough, strain in colander. In a mixing bowl, mash and mix in corn.
  • Once turkey is pureed and pressure cooked for about 16 minutes, melt butter in a medium saucepan over medium-low heat. Add flour and stir constantly until lumps have disappeared. Add turkey drippings and stir in until concoction thickens. Add salt and pepper. It’s very easy to burn a roux, or even the drippings, so watch your heat!
  • When gravy is finished, shred turkey breast as you would for pulled pork, and mix half the breast in with the gravy.
  • Smoothly layer the pie as follows, bottom to top: Crust, potatoes and corn, turkey with gravy, dollops of cranberry sauce, stuffing.
  • Throw in oven, 25-30 minutes, or until golden brown.
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Everything Else

A Year Ago

A year ago yesterday, life was different, but the good kind. Despite a shooting at a concert in Vegas, things were okay.

At 3:16 that day, one of my oldest and closest friends texted me the news that Tom Petty, a man I had just seen not five months before, was dead. Just like that, everything changed.

The first quarter of 2017, his music came into my life, and I began to dig deep into his extensive career and absolutely genius songwriting. Second quarter, I got the wonderful opportunity to attend one of Tom Petty and the Heartbreakers’ 40th Anniversary shows, the one in Tampa. That was the closest they were getting to their hometown of Gainesville, and this turned out to be their final show in their birth state. Third quarter, I began saving for his promised Wildflowers tour, where he’d play the whole album, and then some, in smaller venues. When October 2 rolled around, I had $75 saved for a ticket. All that was left was to wait for an announcement.

Tom, to me, was the definition of heartland rock. While Bruce Springsteen, Bob Seger, and John Mellencamp have all touched my soul in their own ways, no one changed me like he did. His music, documentary, and life story taught me the utter importance of authenticity, honesty, and standing up for what I believe in.

These days, if I ever look back and remember when I cheated my way through something major, or when I remember how uptight I was about every little thing when I was younger, I have regrets. That’s another thing Tom taught the world, just stay calm and fight through the pain, whether it’s emotional or physical.

With all that said, my heart has especially always gone out to the amazing Heartbreakers that backed him up for 40+ years. Mike Campbell and Benmont Tench III were on Tom’s side through everything. Ron Blair, Scott Thurston, Steve Ferrone, and Stan Lynch all were of breathtaking assistance in giving the band its sound. And the great thing is that even with their fearless leader no longer on this planet, they’re all still going. Mike just joined Fleetwood Mac and is about to hit the road with them. Steve Ferrone is also the drummer in the Dire Straits Legacy, which is currently on tour, and will actually roll into St. Pete this Friday. The other guys pop up many different places, for example, Benmont still plays occasional solo shows at Largo at the Coronet in California.

If only Tom had postponed that tour and gotten the help he needed in his hip. He would probably still be here today. We, his fans, would have wanted Tom to worry about himself before entertaining us. It’s understandable to hate canceling shows, but look how many artists, old and young, have to do it today, and they’re still with us. Michael Nesmith of The Monkees had to postpone his dates with Micky Dolenz so he could have quadruple bypass heart surgery. Quadruple. Had he continued on touring instead of getting help immediately, we’d almost certainly be down two Monkees now rather than one.

Tom, if you’re reading this somewhere in the great wide open, your music will be with me as long as I live, probably even after. My children will have a great idea of who you are, and so will their children. Finally, Tom, you’ve kicked off the soundtrack of my life.

And for that, I hope the last voice I ever hear is yours.

– – Josh Dezern, 10/3/2018

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Everything Else

My Thoughts On Paul Simon’s Retirement

“Eh, he’s alright I guess. The Sound Of Silence is a good song.”

Close to everyone I have ever met have had that reaction whenever I’ve mentioned the genius of Paul Simon, one of the most overlooked, yet legendary songwriters of all time.

Hipsters, Gen-X’ers, and boomers love the other biggies. Bob Dylan, John Mellencamp, Joan Baez, and Bruce Springsteen, just to name a few. Don’t get me wrong, that’s great. Yet they seem to snub the fact that Paul wrote some of the most recognizable songs with some of the most touching, impeccable lyrics in music, and has a sense of creativity that no one else has. People also tend to throw aside the authentic African sounds of Graceland, and the fact that he’s been inducted to the Rock And Roll Hall Of Fame twice. And let’s not forget that he technically won the Grammy for Album Of The Year three times in his life.

His retirement isn’t a total surprise, as he’s been throwing it around for a few years now. That said, it feels far too soon to be saying goodbye to such a creative mind already, who has brought so much joy into so many lives. Even if he only worked as a solo artist for the 46 years he did, rather than making music in general for 60, he still would have made it in the biz the way he did.

img_8332-2
Paul Simon: 2017 Summer Tour; June 1, 2017

To me, Paul is, creatively, one in a million. Yes, there is bitterness he has about certain things, mainly the beef between himself and his former partner Art Garfunkel. But as a man who has almost always stuck to his word, worked nonstop for over 60 years, and is a recent advocate for saving the planet, (E.O Wilson’s Half-Earth Project) I think it’s more than safe to say that the man has had an extraordinary life.

Tomorrow night in Queens, NY will be the last show of his last ever tour. If you never got to see him, chew on this: Whether you were a die-hard fan, or a rapper who was being dragged to a show by a spouse or parent, Paul live would just blow you away. From the stories he tells to the new arrangements he plays, every show had so much energy and love put into it.

As for me, I’m so glad I got to experience him live not once, but twice. I’ve loved him since I was six, and have been following him since I was 13. And though this is the end of the road, I’ll never stop being a fan.

From the bottom of my heart…

Thank you, Paul Simon, times a bajillion.

Return if possible. Your fans aren’t going anywhere.

– – Josh Dezern, 9/21/2018

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Concert Reviews

CONCERT REVIEW: Paul Simon gets Tampa feelin’ groovy one last time

Halfway through Paul Simon’s last ever show in Tampa Friday night, he made it very clear that something was very different about his stage. A man (no, not Art Garfunkel) who played with him live and in the studio for over 30 years was not present.

In December of last year, guitarist Vincent Nguini passed away. He was present on Paul’s brief US tour last summer for maybe four or five dates, before heading home to receive treatment for an unspecified illness.

Nguini’s unfortunate passing was a key reason to why the genius behind Graceland announced Homeward Bound: The Farewell Tour in an open letter back in February. He had kicked the idea around for the last few years, but two new albums (one of which released Friday) and two tours proved that it was probably blasphemy.

Though his final show in Queens, NY is still a few weeks away, Simon’s final stop in Tampa, felt like his first stop here. In 60+ years, Paul is not very familiar with Tampa, as his last time in the area was in 2011 at Ruth Eckerd Hall. But him and Garfunkel did bring their reunion tour with surprise guests The Everly Brothers to the same venue in late 2003. If at least some fans at the farewell show hadn’t seen the reunion tour, that’s an honest shocker.

Simon’s 9-piece band, with the 6 members of yMusic hit the stage around 8:15, and the man came slowly walking out in an orange t-shirt and purple blazer. After plucking the opening chords to the Simon & Garfunkel classic, America, and swaying to 1973’s 50 Ways To Leave Your Lover, he told a humorous Tampa story, about a time he was asked to throw the first pitch at a Yankees spring training game held here. Apparently, some of the players were betting on how many times the ball would bounce in the event of a celebrity such as Paul threw the first pitch. “The only person that bet on me was Tino Martinez!” he closed the story with.

He then granted permission to get up and dance “if we felt the urge to,” but to “keep in mind the couple behind you may disagree with your urge.”

While only five Simon & Garfunkel songs were played in the two-and-a-half hour musical odyssey, he hardly missed a moment in his solo career. As he’s done in most shows over the years, Mother And Child Reunion and Me And Julio Down By The Schoolyard, off his first proper solo album, were blasted back-to-back. Graceland’s follow-up, The Rhythm Of The Saints was not snubbed either. Four tracks, one of which was a recently revamped song, Can’t Run But, made the cut for the first time on tour in nearly 20 years.

“I’ve been writing songs since I was twelve years old,” he bragged before proceeding to emphasize his life of songwriting. Or at least up until he broke up with Artie, because he didn’t want to continue going on and on.

Some songs on this tour haven’t appeared on many, or any, tours before this one. With the release of In The Blue Light the day of the show, in which Simon revisits obscure songs he penned that he felt had an impact on him, there had to be some tunes off of there. And three, one mentioned before, made it. The Joan Baez inspired Rene And Georgette Magritte With Their Dog After The War, which has not been played since 1984, and never played on tour, featured the breathtaking talents of yMusic, of whom came forward to the carpet Simon stood on to surround him. And 2011’s Questions For The Angels, of which the new version was previewed during last summer’s mini US tour, was very unfamiliar to the crowd, except for one of the very few die-hards in the house.

There was also 1973’s Kodachrome during Simon’s final of two encores, and a newer version of the legendary Bridge over Troubled Water, which was later dedicated to the Queen Of Soul, Aretha Franklin. “Very seldom do I sing it,” he began. And an emotional Homeward Bound featured a montage of photos from Paul’s 60+ year career on the screen behind him.

That’s the major difference about this tour from any other he’s done before. Normally, Paul plays smaller, intimate venues. But this time around, he wanted to give everyone in town a chance to say goodbye to him. And also, there’s normally not a big screen behind him, showing neither graphics nor a magnified view of himself. So while some of his shows (including this one) were not sold out, I think it’s safe to say that this is a dazzling way to go out on top.

The show closed with a trio of his most beautiful songs. A devastating rendition of The Boxer brought tears to the eyes of boomers, Gen-X’ers, and millennials. Before the highlight of the night, The Sound Of Silence tore the house down, the 1973 lament American Tune, featured just Simon and his trademark acoustic guitar. “Strange times, huh?” he asked, swiping the opening chord.

“Don’t give up.”

For the age of 76, those are pretty solid final remarks to Tampa Bay. That’s the closest he came to mentioning politics. (other then getting booed when mentioning the first pitch for Yankees)

Even with Bob Dylan on the way to Clearwater next month, Simon’s advice has some serious significance, especially for the music lovers. Many of the great singer-songwriters have either died or retired, so we’re losing people to see live. Not to say there aren’t any left, but regardless of what anyone says, never again will there be anyone with the same potential and love for music owned by Aretha Franklin, Joan Baez, Elton John, and in any case, especially here, the genius, sharp-wit; and underrated musical skills of Paul Simon.

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Concert Announcements

Bob Dylan coming to Clearwater

 

How many musicians have a Nobel Prize? The answer, my friend, is one. That’s right. Even John Lennon doesn’t have one. In 2016, right before his last stop here, legendary songwriter Bob Dylan was announced to be a recipient of the prize at the next ceremony.

One of the two surviving members of supergroup The Traveling Wilburys, Dylan has been on the road nonstop his entire life, and began his Never Ending Tour in the late 90s. He’s also the only man that Tom Petty and the Heartbreakers agreed to open for, and evidently, back up as a band, after they got big. These days, however, you won’t hear many Dylan hits.

But that’s okay. You still have the chance to be in his presence on October 20 at Ruth Eckerd Hall. Tickets start at $72.75, and go on sale this weekend.

He still puts out new albums every year since 2015, including last year’s three disc album, properly titled Triplicate. But here’s the thing: They’re not full of new original material. It’s all covers. And he manages to make his shows at least three-quarters full of covers. Of course he plays some of his music… Blowin’ in the Wind, Tangled Up In Blue, Don’t Think Twice It’s Alright…but you won’t hear Like A Rolling Stone or The Times They Are A-Changin’. But he’s Bob effing Dylan, and no one should be complaining.

Side note: Knowing Dylan, there will probably not be any photography allowed. Seriously. He has these guys in red jackets patrol the venue before and during the show.

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Everything Else

Is Bob Dylan coming to Florida?

In the last few days, Bob Dylan, the only songwriter with a Nobel Prize, announced his first US tour dates of 2018. Last year, it felt like he covered everywhere in the US, except the southeast. But four out of the first five dates announced are in that area. The Carolinas, Oklahoma, and Georgia will get to hear Bob play a show that will most likely consist of covers, and a few of his semi-hits.

But here’s the thing:

Oklahoma is in mid-October, while the others are November 3 and 4 for the Carolinas, November 7 for Georgia, and November 9 for another North Carolina show.

The man is no stranger to Florida, especially the Tampa/Clearwater area. He’s played sold out shows at Ruth Eckerd Hall in 2016 and 2015, along with a less recent co-headlining show with Willie Nelson at Bright House Field (now Spectrum Field) in 2005. So there’s always a chance that he’ll drop by, knowing that shows on his “Never Ending Tour” are practically back-to-back. No venues in Florida have confirmed him showing up, but at the beginning of each week, Ruth Eckerd announces a handful of new shows.

Maybe this week, Dylan will make the list.